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But still, I admire SOAD and I admire this album. And unlike the first album, the second half of the songs do seem to get tiring afterwards. The best songs have to be "Aerials," "Bounce," "Psycho," "Prison," and "Chop Suey." Still, not their greatest album, but it still a likable effort. This is a great sophomore album, but it's not really as spectacular as the self-titled first album. I mean, the lyrics are still significant, and the music still heavy and enlightening, but there does seem to be a bit repetition that goes on in some of these songs.
Far from, though sometimes so close to what meaningless hardcore antics stand for, this assured sophomore brought enough cultural and melodic elements into potent but one dimensional aggression to warrant standout success, but in between noteworthy tracks put together in admirable ways lies repetitious brutality mixed with theatrical world influence.
Maybe it's because the band isn't concerned so much on focusing on noise and instead went the extra mile to try to make something out of their songwriting skills.Yup, I'm totally shocked Toxicity actually has some fairly melodic ideas thrown around occasionally. First of all, I'm by no means a fan of teenage angst, generic guitar riffs, lead singers who scream more than they sing, and average musical skills. There's more than enough noisy music out there and we don't need anymore.Still, Toxicity is an album I think is pretty alright in my book. It's still a rather inconsistent album overall, but the band DOES feel like they're at least trying to lay something tolerable down on tape without making all the annoying noise as the main focus like so many other bands, something I wish most bands would STOP doing completely. With THAT in mind, for some unexplainable reason, I believe Toxicity is a somewhat decent attempt at *trying* to make all those things come together to produce something interesting. Not terribly interesting mind you, just decent enough.
It does contain a couple of good songs, which you might consider buying on MP3 if you're into the whole angry guitar punk thing. There are also a few catchy vocal bits, like the "you can see America" bridge in "Deer Dance."The rest, though.oh, man. The sound has more in common with hardcore punk -- lots of primitive, fast guitar rhythms (I wouldn't call them "riffs," they don't have a lot of individual character) with frenzied vocals, plus flashy rebellious politics. Both songs rely less on yelling, and feature a more interesting, theatrical delivery from frontman Serj Tankian. There's a lot of shouting, but the music is not really heavy. Musically, that song isn't what I'd call "good," but the presentation is so hilariously over-the-top that it becomes a lot of fun. Further on, "Deer Dance" states that "they like to push the weak around," where "they" is again nameless authority. Look, I'll be honest: nu-metal ain't my thing.
They cram it as full as possible -- not only with political slogans, but also with helpful facts for their listeners, delivered in a breathless, breakneck screech, spitting out the words in a hurry to get to the next slogan/fact. I also quite like the instrumental hidden track, the most melodic piece of music on the album.Elsewhere on the album, it's possible to find the occasional decent punk thrash. Toxicity, however, has a song that calls some nameless figure of authority a "parasite," wallows in self-deprecation with the line, "my tapeworm tells me what to do," and finally paints a portrait of alienation with the line, "sitting in my room." It's such a blatant fit for the angsty youth of the turn of the millennium -- the perfect song to play during that brief sulk between dinner and TV. It wasn't that subtle, but at least they tried. There's also a gratuitous, funny diss of Hollywood.So that's one track that I enjoyed, for reasons having nothing to do with its musical content. I am definitely not the target audience for this album. I didn't expect to like it; the reason why I'm reviewing it is that it's better than I expected, thus worth some discussion. And, finally, "Psycho" is the moving story of a drug-addicted groupie, who gets patronized with the very sensible advice: "So you want to see the show, but you really don't have to be a ho." The funniest part is that he puts so much pathos into that goofy line.
Teenage angst has been a marketable commodity for many years. "Bounce" is probably the best, accompanied by a humorously nonsensical lyric, delivered with the usual frenetic energy. The best, in my opinion, is the title track, which has a neat guitar line, less aggressive than most of the album, but with some disquieting suggestion in the tone. It's probably meant to be ironic (I hope), but that doesn't make it good.So, dear hypothetical casual listener who is wracked with indecision about whether to spend money on Toxicity: I would have to advise you against it.
I don't feel it anymore.""Science" condemns science for having "failed our Mother Earth." Okay, so faith is good, fine, but the spirituality that the song offers instead is the safe, vague, pandering kind, where "spirit moves through all things" and that's it. However, the good parts are nowhere near enough to justify buying the CD. Then "X" adds some anti-humanity rage with the line, "we don't need to multiply" (this demonstratively misanthropic sentiment was in fashion among the angsty youth of 2001), "Chop Suey" preens about "my self-righteous suicide," and "Atwa" proclaims, "all the world I've seen before me, passing by," just before erupting into the tantrum, "You don't care about how I feel. Fans of the band should probably not read this, but if you're someone like me who looked up Toxicity basically out of idle curiosity, maybe you'll get something out of my opinion.Firstly, this doesn't really sound like a metal album.
But in the 90s, such angst kings as Nine Inch Nails or Smashing Pumpkins at least tried to put a poetic veneer on their adolescent rage, to make their complaining sound more noble by expressing it with metaphors and allegories. Also good is the last track, "Aerials," which has the album's best heavy riff, pretty much the only one that stands out. "Prison Song" could go on a Dead Kennedys album. But there are a couple of songs that are actually well-written musically.
9/102.Needles-One of my favorites, really good. 10/1014.Aerials-Different from all the other songs but in a good way. 10/1013.Psycho-Another really good song, and I love the guitar solo at the end. Gets a little repetative. 10/109.ATWA-Really good song, I love Daron's voice on this one. 9/103.Deer Dance-One of the best.
A great way to end a great album. I bought this album not knowing what to expect and I've got to say its FANTASTIC. If you are a SOAD fan this cd is the first one you should buy.Some of my favorites are Chop Suey, Toxicity, and Aerials.1.Prison Song-A really good song. Every time I listen to it, it makes me smile.
10/108.Forest-I love this song. 10/107.Bounce-Hillarious yet awesome. Spirit moves through all things. 10/10
7/1012.Toxicity-My favorite song on the album, hands down. 7/105.X-Another OK song. 8/1011.Shimmy-Probably my least favorite on the album. A great way to start the album.
9/1010.Science-Pretty good and its got a catchy bridge. a really brilliant song. 10/104.Jet Pilot-OK song. 7/106.Chop Suey-My second favorite song on the album.
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